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The Disrobing of Christ (El Espolio) (1577–1579, oil on canvas, 285 × 173 cm, Sacristy of the Cathedral, Toledo) is one of the most famous altarpieces of El Greco. El Greco's altarpieces are renowned for their dynamic compositions and startling innovations.

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The Assumption of the Virgin (1577–1579, oil on canvas, 401 × 228 cm, Art Institute of Chicago) was one of the nine paintings El Greco completed for the church of Santo Domingo el Antiguo in Toledo, his first commission in Spain.

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Kont Orgaz'ın cenazesi, 1586–1588, yağlıboya, 480 × 360 cm, Santo Tome, Toledo.

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El Greco, otoportre, 1614.

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The Modena Triptych (1568, tempera on panel, 37 × 23,8 cm (central), 24 × 18 cm (side panels), Galleria Estense, Modena) is a small-scale composition attributed to El Greco.

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The Opening of the Fifth Seal (1608–1614, oil, 225 × 193 cm., New York, Metropolitan Museum) has been suggested to be the prime source of inspiration for Picasso's Les Demoiselles d'Avignon.

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Picasso's Les Demoiselles d'Avignon (1907, oil on canvas, 243.9 × 233.7 cm., New York, Museum of Modern Art) appears to have certain morphological and stylistic similarities with The Opening of the Fifth Seal.

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The Holy Trinity (1577–1579, 300 × 178 cm, oil on canvas, Museo del Prado, Madrid, Spain) was part of a group of works created for the church "Santo Domingo el Antiguo".

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The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco (Created by the hand of Domenicos), was painted in Candia on part of an old chest.

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View of Toledo (c. 1596–1600, oil on canvas, 47.75 × 42.75 cm, Metropolitan Museum of Art, New York) is one of the two surviving landscapes of Toledo painted by El Greco.