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Post El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tablo

El Greco Eserleri - El Greco Tabloları - El Greco Resimleri - Ressam El Greco Tabloları



The Disrobing of Christ (El Espolio) (1577–1579, oil on canvas, 285 × 173 cm, Sacristy of the Cathedral, Toledo) is one of the most famous altarpieces of El Greco. El Greco's altarpieces are renowned for their dynamic compositions and startling innovations.



The Assumption of the Virgin (1577–1579, oil on canvas, 401 × 228 cm, Art Institute of Chicago) was one of the nine paintings El Greco completed for the church of Santo Domingo el Antiguo in Toledo, his first commission in Spain.




Kont Orgaz'ın cenazesi, 1586–1588, yağlıboya, 480 × 360 cm, Santo Tome, Toledo.



El Greco, otoportre, 1614.



The Modena Triptych (1568, tempera on panel, 37 × 23,8 cm (central), 24 × 18 cm (side panels), Galleria Estense, Modena) is a small-scale composition attributed to El Greco.



The Opening of the Fifth Seal (1608–1614, oil, 225 × 193 cm., New York, Metropolitan Museum) has been suggested to be the prime source of inspiration for Picasso's Les Demoiselles d'Avignon.



Picasso's Les Demoiselles d'Avignon (1907, oil on canvas, 243.9 × 233.7 cm., New York, Museum of Modern Art) appears to have certain morphological and stylistic similarities with The Opening of the Fifth Seal.



The Holy Trinity (1577–1579, 300 × 178 cm, oil on canvas, Museo del Prado, Madrid, Spain) was part of a group of works created for the church "Santo Domingo el Antiguo".



The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco (Created by the hand of Domenicos), was painted in Candia on part of an old chest.



View of Toledo (c. 1596–1600, oil on canvas, 47.75 × 42.75 cm, Metropolitan Museum of Art, New York) is one of the two surviving landscapes of Toledo painted by El Greco.
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